[This Isn't Here] really is gorgeous. Split evenly between the country-ish acoustic glide of Rubber Soul and the electric power-pop template of Revolver, it's like some missing Beatles album made in between. Like that band, Celia crafts supremely sophisticated chord changes, guitar licks and three-part harmonies that still sound so natural, you don't even notice. It's sheer musical alchemy that pop songs as beautiful, complex and emotionally resonant as Best Thing Ever are so radio-ready they would sound ideal on MIX99.9 or CHUM-FM[Toronto's mainstream Radio stations].Although his knack for glorious harmonies came naturally, with the guitar playing, he worked it until he could do it naturally. Celia can run rings around your average guitar hero, but instead displays the maturity and taste to serve the song with solos that are captivating models of economy and grace, as on She's a Waterfall.The concerns in his songs are equally mature. Like how everything we see is an illusion, and everything we don't