by Stephen Thomas ErlewineWith their major-label debut, Save Ferris attempts to distinguish itself from the legions of late-'90s ska-punks by adding a touch of swing, lifted from the Squirrel Nut Zippers. While that makes them a novelty, it's not enough to make them interesting to anyone but ska-punk afficianados. Like their peers, they have a tendency to wallow in smirking irony -- their ham-fisted cover of Dexys Midnight Runners' Come On Eileen is embarrassing, and there's no need for a song called Spam -- which may sound good in concert, but it sinks in record. Still, there are a few signs that Save Ferris could break away from the pack. Lead vocalist Monique Powell has energy and charisma, while guitarist\u002Fsongwriter Brian Mashburn can occasionally write a strong hook, as on Superspy or The World Is New. Still, there's too much ska-punk-by-numbers and obvious crossover attempts (the string-drenched Lies) to make It Means Everything an entirely successful debut.