Sandwiched between the solitary, heart-on-her-sleeve confessions of Blue and the ravishing pop of Court and Spark, 1972's For the Roses captures Joni Mitchell in a deceptively subdued period of transition. Still hewing to a spare sound, Mitchell ventures beyond the elegant folk sources of earlier records to explore her love of blues and jazz-based harmony, writing as much on piano as guitar; thematically, the earnest reveries and heartbroken dirges of before give way to a more detached, even journalistic perspective and darker, grittier settings, most strikingly on Cold Blue Steel and Sweet Fire. You Turn Me On, I'm a Radio was the set's nominal hit, yet in hindsight the keepers here are found in evolutionary pieces like the jazz-tinged Barangrill, the rock-infused Blonde in the Bleachers, and in more sober meditations like Woman of Heart and Mind--testaments to her restless growth and signposts to the more mature music ahead.