by Heather PharesThe Eagles of Death Metal may seem like a side project within a side project -- having debuted on the third and fourth volumes ofJosh Homme's ever-changing collaborationthe Desert Sessions-- but that doesn't mean that the band's first full-length, Peace Love Death Metal, plays like an afterthought. Going by the aliasCarlo Von Sexron,Hommesupplies simple but effective drumming on longtime friendJesse Hughes' appealingly tossed-off songs; likethe Desert Sessions' releases, one of this album's greatest strengths is its off-the-cuff vibe. As with their earlier songs, on Peace Love Death Metal the band tends more toward theEaglesside of their name than the Death Metal part; the album is rife with classic rock riffs and allusions, from the Spirit in the Sky throb of San Berdoo Sunburn to the cover ofStealer's Wheel's Stuck in the Middle With You (affectionately redubbed Stuck in the Metal) to the overallRolling Stones-meets-garage rock aesthetic.Hughesisn't quite as commanding a vocalist asHommeis, but he is a versatile one, opting for a breathy, nearly androgynous tone that works especially well on Stacks o' Money and a tremulous baritone that recallsLux Interioron Speaking in Tongues. Basically, the Eagles of Death Metal sound like one of the more entertaining bar bands that you're ever likely to hear, especially on I Only Want You, Bad Dream Mama, and English Girl. On the other hand, the unusually dark Already Died is an atypical highlight, with the ominous but melodic feel ofHomme'sDesert SessionsorQueens of the Stone Agematerial. The band's forays into blues on Flames Go Higher and Midnight Creeper also work well and fit in with the rest of Peace Love Death Metal's spontaneity and sense of humor. Jokey moments like Kiss the Devil, a bizarrely catchy fusion of punkabilly stomp mixed with gospel-like vocal harmonies, add some refreshing weirdness to the album, but tracks such as the aptly named Wastin' My Time fall flat. LikeDesert Sessions, Vol. 9-10, Peace Love Death Metal starts out strong and peters out in its last few tracks. That's not particularly surprising, or even all that disappointing, considering that the album was recorded in three days and having fun seems to be its main reason for being. Fortunately, its sense of fun carries over to its listeners instead of remaining a you had to be there experience.